Flash-floods : genre subversion and the abject erotic in Dorothy Porter’s The monkey’s mask and El Dorado

When discussing her verse novels, Dorothy Porter explicitly stated that she loved to &lsquo;write bad&rsquo;. This paper will argue that it was Porter&rsquo;s engagement with the verse novel form and genre subversion, most notably seen with her detective and crime thriller verse novels The monkey&rsquo;s mask and El Dorado, that allows for a destabilisation of traditionally established genre conventions, which in turn provide a narrative foundation for Porter&rsquo;s use of abject erotic imagery.In both The monkey&rsquo;s mask and El Dorado there are several types of &lsquo;bodies&rsquo; to be examined: the body of the verse narrative, the bodies of the characters subjected to crime, the body of poetry that is referred to as evidence, and the abject eroticised body. Extending upon the studies of Rose Lucas (1997) and Fleur Diamond (1999), this paper contends that it is Porter&rsquo;s engagement with the abject erotic, as informed by Julia Kristeva&rsquo;s (1982) theory of the abject and Johanna Blakley&rsquo;s (1995) discussion of the abject in relation to eroticism, that allows Porter to subvert the phallocentric limitations upheld through the crime fiction genre and offer an alternative representation for lesbian sexuality and desire.<br /

Jane Montgomery Griffiths’ Theatrical Poetics

An interview with Jane Montgomery Griffiths regarding her theatrical adaptation of Dorothy Porter&rsquo;s verse novel Wild Surmise (2002)

Walking through land and memory

A review of Saskia Beudel\u27s A Country in Mind: Memoir with Landscape, UWAP Publishing 201

Behind the eyes: poetry of witness

&nbsp;A review of Susie Utting\u27s poetry collection, Flame in the Fire, 2012